Monday, April 07, 2014
Wednesday, August 21, 2013
The Power of Friendship
It wasn't all that long ago when I was in a jam...a real pickle if you know what I mean.
As most of my friends know, I was REALLY sick. I didn't know what to do. I had mounting bills and I couldn't work. With no medical insurance, there wasn't a doctor on the planet who would touch me. I fell between the cracks of society...not enough income to afford insurance, but I made $50 a month too much for government assistance. I was in what is considered the poverty bracket, but that didn't matter. I have no children, and I am not a minority, so I qualified for...
I needed three thousand dollars worth of surgery immediately, and I simply had no way of getting it. Emergency rooms turned me away. Doctors refused to treat me, regardless of my constant pain. I beat myself up for having had the nerve to think that I could make a life for myself as a freelance illustrator. What was I thinking? I asked myself, Why couldn't I have been like everyone else on the planet and gotten a REAL job, with insurance benefits? Freelancing had never paid me a true living wage, and for all my hard work and dedication, I had come to this... the possibility of death at 52. I am not dramatizing the situation, it was indeed very dire.
Then along came a mysterious e-mail that changed everything. Okay, well it curbed my self-loathing and gave me the courage to believe that maybe, just maybe there was a chance for me yet. I received notification from my Paypal account, saying that I had received funds from an source unknown to me. Then another one came, and another. I began to cry.
In the days that followed, I received over half of the funds I needed and they kept coming. My friends and colleagues had done a miraculous thing...they were all banning together to save me. To say that it was an over-whelming feeling would be a lie. I don't think that words have been invented that could accurately explain what I felt as the money came pouring in.
I have never before and not since felt so loved. For me it was more than just money, it was a validation of my worth. Never before had I felt that I truly mattered to anyone in the world, except my husband. It changed my life and it changed me.
I don't know how I will ever thank my friends enough, but I am determined to try. I'm starting by becoming a better version of myself. I have lost thirty pounds and counting. I have been through three surgeries and a fourth is planned for September. I feel better than I have in twenty years and you can't put a price on that!
As most of my friends know, I was REALLY sick. I didn't know what to do. I had mounting bills and I couldn't work. With no medical insurance, there wasn't a doctor on the planet who would touch me. I fell between the cracks of society...not enough income to afford insurance, but I made $50 a month too much for government assistance. I was in what is considered the poverty bracket, but that didn't matter. I have no children, and I am not a minority, so I qualified for...
nothing, nada, ZIPPITY-DO-DA!!
I needed three thousand dollars worth of surgery immediately, and I simply had no way of getting it. Emergency rooms turned me away. Doctors refused to treat me, regardless of my constant pain. I beat myself up for having had the nerve to think that I could make a life for myself as a freelance illustrator. What was I thinking? I asked myself, Why couldn't I have been like everyone else on the planet and gotten a REAL job, with insurance benefits? Freelancing had never paid me a true living wage, and for all my hard work and dedication, I had come to this... the possibility of death at 52. I am not dramatizing the situation, it was indeed very dire.
Then along came a mysterious e-mail that changed everything. Okay, well it curbed my self-loathing and gave me the courage to believe that maybe, just maybe there was a chance for me yet. I received notification from my Paypal account, saying that I had received funds from an source unknown to me. Then another one came, and another. I began to cry.In the days that followed, I received over half of the funds I needed and they kept coming. My friends and colleagues had done a miraculous thing...they were all banning together to save me. To say that it was an over-whelming feeling would be a lie. I don't think that words have been invented that could accurately explain what I felt as the money came pouring in.
I have never before and not since felt so loved. For me it was more than just money, it was a validation of my worth. Never before had I felt that I truly mattered to anyone in the world, except my husband. It changed my life and it changed me.
I don't know how I will ever thank my friends enough, but I am determined to try. I'm starting by becoming a better version of myself. I have lost thirty pounds and counting. I have been through three surgeries and a fourth is planned for September. I feel better than I have in twenty years and you can't put a price on that!
Thursday, June 20, 2013
My Next Big Thing: "When Mommy Got Cancer", a picture book illustrated by Lisa J. Michaels and written by Karen Garcia
If you are an SCBWI member, then you know my friend, Alison Davis Lyne.
Big hugs and many heart-felt thanks to Alison for including me!
1. ) What is the working title of your next book?
This book is a loving tribute to Karen's daughter, with the hope that it will bring her peace, gentle reminders of their mutual admiration, acceptance of that which is out of our hands, and most of all, JOY!
4.) Who or what inspired you to write this book? Since the first question answered this question and I'm the illustrator, I'll answer as to how the illustrations developed.
Hibiscus looked high, low, long and hard to find just the right illustrator. They considered hundreds of artists across the globe before narrowing it down to just a few. Then they sent out a "call for samples" to those they were considering. We were all given a few small excerpts from the manuscript, and allowed to pick two scenario's to sketch.
6.) What actors would you choose to play the part of your characters in a movie rendition?
Like everything and everyone else involved with this project, this question is sort of serendipitous in that I have thought about this many times prior to the question being asked. Without doubt, Andie McDowell would be perfect for Karen's part. She's the spitting image of her... and for our main character, Alicia Morton would be perfect, with her gentle, sweet nature and her impish, joyful smile!
7.) How long did it take you to write the first draft of the manuscript?
Since I'm the illustrator I'll take that question by substituting it with; "How long did it take to produce the sketches and finalize the line art?"
My first meeting with the editor was on April 11th, 2013. We discussed how the project came about, the time-line, payment options, the proposed layout, and how I had been chosen to produce the illustrations. I was given until May 30th to complete the ready-for-color line art. Then life got in the way (as it always does) and the struggle to meet my deadline began!
Editor's have a job to do that does not include babysitting illustrators. I learned long ago that they don't have time to worry or even think about how we go about our jobs...or the fact that we take on more than we can handle as a means of financial survival. Such was the case for me when this project began, but there was NO WAY that I was going to turn down a traditional publishing opportunity, and the chance to work with a professional editor! Everything else had to be put on a back burner, and I got to work on this project immediately.
Since then, I have been astounded by the differences between professionals and the self-publishing world. Although I love to help self-publishers achieve their dreams, it simply can't compare to the freedom found in a trusting, compassionate, creative editor. Finally, the dreams being achieved are my own!
8. ) What other books would you compare this story to within your genre?
"Personally, I'm not sure that it compares to anything already published. This is a subject that has been avoided by most publishers, because of it's delicate nature. Illness is something we all experience at some point in our lives, but as parents we attempt to shield our children from the harsh realities until they simply must be addressed. The author envisioned "When Mommy Got Cancer" as a tool to help parents approach this rapidly growing issue of death by cancer, and I believe she managed to do it with dignity, honesty, and love. In my humble opinion, we are past due for a book like this and it should be applauded.
9.) What is the one-sentence synopsis of your book?
Well, we'd have to ask the editor what she thinks on that one, but being a writer myself, I have an idea that it would go something like this; This picture book depicts a mother's struggle with terminal cancer and her determination to teach her child how to express all of the feelings and emotions that such an ordeal creates... at the same time, she explains that reaching for JOY is the answer, and through sharing it, we discover the key to true happiness and ever-lasting life.
10.) What else about the book might pique the reader's interest?
Attention to detail is something I take pride in. Throughout the book, there are little things that catch your eye, like dancing butterflies flitting across the page, the caring and realistic expressions on the face of their pet feline, lovely background textures that add richness and color, etc.
As an illustrator, I strive to give my child readers little details that will surprise them each time they revisit the page.
With each project I take on, my goal is to use what I've learned from the last project, to be better than I've ever been!
Thank you for taking the time to read about and support me in my endeavors. I LOVE my blog readers, you guys ROCK!!!!
On July 5th, be sure to check out my talented and creative friends, on "The Next Big Thing" Blog Tour:
You may be thinking, I do??
If you've read your SCBWI Bulletin Magazine, then yes, you have undoubtedly run across her excellent and helpful column, "Art Tips". (You'll find it on page 12 in the current July/August issue.)
A week ago, she tagged me for "My Next Big Thing", a global blog tour started in Australia, as a way to showcase authors and illustrators currently working on a picture book set for publication.
Below you will find the answers and images that I provided for the Q and A for this tour, which will be passed along to other talented folks on Friday, July 5th.
I hope you will enjoy seeing my "work in progress", and I sincerely hope that you will follow the links I provide to view the other many talented artist on this tour as well.
Big hugs and many heart-felt thanks to Alison for including me!
1. ) What is the working title of your next book?
“When Mommy Got Cancer, Creating Joy Together”. It will be released in 2014.
2.) Where did the idea come from for the book?
Even though I’m the illustrator (not the author), I can still answer this question. Karen knew she was dying of cancer and would not live to see her daughter grow up. In the time she had left (after her diagnosis), she decided to make her days as positive and happy as possible for her child. She wanted her to have wonderful memories that would sustain her throughout her life, and reminder her of the love they shared.
This book is a loving tribute to Karen's daughter, with the hope that it will bring her peace, gentle reminders of their mutual admiration, acceptance of that which is out of our hands, and most of all, JOY!
3.) Who is publishing your book?
Unfortunately, Karen passed away before the book could be published, but the editor at Hibiscus Publishing had promised her that they would see it through. The knowledge that the process had begun gave Karen great comfort in her final days.
4.) Who or what inspired you to write this book? Since the first question answered this question and I'm the illustrator, I'll answer as to how the illustrations developed.
Hibiscus looked high, low, long and hard to find just the right illustrator. They considered hundreds of artists across the globe before narrowing it down to just a few. Then they sent out a "call for samples" to those they were considering. We were all given a few small excerpts from the manuscript, and allowed to pick two scenario's to sketch.
In all honesty, I wasn't the one Hibiscus really wanted, but the universe, fate, divinity (or whatever you wish to call it), stepped in to favor me. The preferred artist wasn't available, (she had too many other projects, poor thing) so they sent my samples to Karen's mom for consideration.
She wept when she saw them, as the resemblance to her daughter and grand-daughter was uncanny. When the editor informed her that I'd not been given any photos to work from, nor had I ever seen any, she was convinced that I was meant to be the illustrator on this project. Too many of the little details I'd drawn were spot-on, just as they were in reality. Was it coincidence, or something more?
She wept when she saw them, as the resemblance to her daughter and grand-daughter was uncanny. When the editor informed her that I'd not been given any photos to work from, nor had I ever seen any, she was convinced that I was meant to be the illustrator on this project. Too many of the little details I'd drawn were spot-on, just as they were in reality. Was it coincidence, or something more?
5.) In what genre does your book fall?
Karen often considered the many other people (with small children) who might be going through a similar experience.
She thought a gently narrated (in first-person) picture book might be just the ticket for parents who are attempting to explain the passing of a loved one and the feelings associated with terminal illness. This book falls within the category of Juvenile Fiction Picture Books.
Karen often considered the many other people (with small children) who might be going through a similar experience.
6.) What actors would you choose to play the part of your characters in a movie rendition?
Like everything and everyone else involved with this project, this question is sort of serendipitous in that I have thought about this many times prior to the question being asked. Without doubt, Andie McDowell would be perfect for Karen's part. She's the spitting image of her... and for our main character, Alicia Morton would be perfect, with her gentle, sweet nature and her impish, joyful smile!
7.) How long did it take you to write the first draft of the manuscript?
Since I'm the illustrator I'll take that question by substituting it with; "How long did it take to produce the sketches and finalize the line art?"
My first meeting with the editor was on April 11th, 2013. We discussed how the project came about, the time-line, payment options, the proposed layout, and how I had been chosen to produce the illustrations. I was given until May 30th to complete the ready-for-color line art. Then life got in the way (as it always does) and the struggle to meet my deadline began!
Editor's have a job to do that does not include babysitting illustrators. I learned long ago that they don't have time to worry or even think about how we go about our jobs...or the fact that we take on more than we can handle as a means of financial survival. Such was the case for me when this project began, but there was NO WAY that I was going to turn down a traditional publishing opportunity, and the chance to work with a professional editor! Everything else had to be put on a back burner, and I got to work on this project immediately.
Since then, I have been astounded by the differences between professionals and the self-publishing world. Although I love to help self-publishers achieve their dreams, it simply can't compare to the freedom found in a trusting, compassionate, creative editor. Finally, the dreams being achieved are my own!
8. ) What other books would you compare this story to within your genre?
"Personally, I'm not sure that it compares to anything already published. This is a subject that has been avoided by most publishers, because of it's delicate nature. Illness is something we all experience at some point in our lives, but as parents we attempt to shield our children from the harsh realities until they simply must be addressed. The author envisioned "When Mommy Got Cancer" as a tool to help parents approach this rapidly growing issue of death by cancer, and I believe she managed to do it with dignity, honesty, and love. In my humble opinion, we are past due for a book like this and it should be applauded.
9.) What is the one-sentence synopsis of your book?
Well, we'd have to ask the editor what she thinks on that one, but being a writer myself, I have an idea that it would go something like this; This picture book depicts a mother's struggle with terminal cancer and her determination to teach her child how to express all of the feelings and emotions that such an ordeal creates... at the same time, she explains that reaching for JOY is the answer, and through sharing it, we discover the key to true happiness and ever-lasting life.
10.) What else about the book might pique the reader's interest?
Attention to detail is something I take pride in. Throughout the book, there are little things that catch your eye, like dancing butterflies flitting across the page, the caring and realistic expressions on the face of their pet feline, lovely background textures that add richness and color, etc.
As an illustrator, I strive to give my child readers little details that will surprise them each time they revisit the page.
With each project I take on, my goal is to use what I've learned from the last project, to be better than I've ever been!
Thank you for taking the time to read about and support me in my endeavors. I LOVE my blog readers, you guys ROCK!!!!
On July 5th, be sure to check out my talented and creative friends, on "The Next Big Thing" Blog Tour:
Wednesday, May 15, 2013
Newly Released!
The book printed beautifully, with bright, colorful pages throughout.
In addition, the author's manuscript sends a very positive, yet subtle message of hope to young readers who may have lost a grandparent or loved one.
I can honestly say that I am proud to be associated with this work.
Tuesday, January 29, 2013
Dear Self-Publishing Author
For over a decade now, I've sat on both sides of the fence. I'm both an author and an illustrator. It's been extremely uncomfortable!
As a paid critiquing author, I'm constantly asked for advice on how to find and deal with elusive illustrators.
As a professional illustrator, I'm asked for advice on how to deal with new and often demanding, self-publishing authors.
Today, a new author I'd recently critiqued, sweetly and naively asked;
"Since you are an illustrator, I'd like to know if you'd be willing to make specific illustration suggestions for each page?"
In all fairness to her, I must tell you that she offered to pay for this service, but the illustrator side of me couldn't even imagine it. The hair stood up on the back of my neck, as I thought...
"Oh no! Another newbie who want's to micro manage her illustrator!"
Now, you may be wondering why she isn't asking ME to illustrate her book. For about a nano-second, I wondered that too. Then I realized it was simple, I'm so good, she assumes she can't afford me. Yes, that was my ego talking. It's called a 'defense mechanism' people! So shoot me!
The truth is, I don't know why, but I suppose my illustration style isn't what she's looking for.
After swallowing my pride, I thought about her question again. I thought it would be good to post my answer for all self-publishing authors who are thinking about taking up art directing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dear Self-Publishing Author,
You never want to insult a professional illustrator, by telling him/her WHAT or HOW to draw on each page. Each of us has our own different style, creative process, imagination, art education and talent.
You may be saying, "That's all well and good, but I want to have some control over what I'll be PAYING for!" Believe me, there isn't a comment you could make that I haven't heard before, from other, well-meaning authors. So, here's what I'm going to suggest you do.
First, decide exactly how much your budget can handle. Illustrations are (even for BIG publishers) where the bulk of your money goes. Remember, your illustrations will determine your final sales. If they are mediocre, most likely, your sales will be too. It's just that simple. You get what you pay for.
Expect to pay no less than $75 each for simple, cartoon-like illustrations. If an illustrator offers them for less, it's unlikely that he/she is a professional. Illustrators who undervalue their own work have very little self-worth, and are not confident in what they have to offer you.
Make sure you find out how much help they can give you throughout production, and that they have dealt with printing companies for previous picture book projects. Not all printers are the same, and your illustrator must be able to create the type of digital image files that can be processed by your printer of choice.
The only OTHER way to get an illustrator for less, is to use an illustrator co-op - where illustrations will be assigned to several different illustrators, who work on the various stages of production. The result is usually very generic, comic book-style illustrations.
Second, peruse the internet. Go to www.scbwi.org. and look under "illustrator portfolio's". The SCBWI hosts only professional and semi-pro, working illustrators. Google the words "Children's Book Illustrators" and search through sites, looking for the style that you would prefer for your book. When you find it, contact the illustrator personally and tell them that you are self-publishing a 24 page picture book. Let them know that you like their style (the one you've already seen), and ask for a quote. Don't insult them by asking for a free sample! Successful, working illustrator's don't have time or the need to work for free. They post samples on their websites and blogs for you to look at, and decide if their style is what you want.
When you have checked with several illustrators and found a quote you can live with, ask and expect them to send you a legally binding contract. If they don't have one, RUN! Contracts are for your protection as well as the illustrators. You don't want to be half way through a project, and have your illustrator bolt.
Third. Once you have found the perfect illustrator, respect their talent and vision. I have never (not even once!) had an author tell me that their own vision was greater than the illustrations I produced for them. We illustrators have wonderful imaginations! Most often, we envision much more for your book than you ever dreamed possible. If you like an illustrators style well enough to hire them, be prepared to turn them loose, and let them be their creative best.
Be advised: professional illustrators will submit each sketch to you along the way, ask for your approval, and give you the opportunity to request minor changes before the illustration is completed. This is repeated for each illustration, until the book is done.
Like most under-paid grade-school teachers, we illustrators are a passionate bunch. The average pay for a 24 page picture book is about $2000. That's only $125 a week. Out of that, comes taxes and health care. Few of us can afford insurance. So, why do we do it?? Because it's who we are, and we can't imagine what our lives would be like, if we didn't. It's pure love, just that simple. :o)
Wednesday, September 26, 2012
Thursday, July 19, 2012
A New Adventure!
Hello friends! Many of you have been asking me what I'm up to these days, and here's the answer.While the physical book version of "Big Feats" is being printed (and will be released very soon), the PDF downloadable version is available NOW, for only $5.95 !
"Big Feats" follows a young boy through typical days of ups and downs.
Through it all, he discovers that his attitude, level of skill, actions and persistence play a big role in the outcome of his life experience.
If your child has ever had a bad attitude, thought they weren't "good enough", dragged their feet, or refused to step up to the plate, "Big Feats" could be just what the doctor ordered!
Wednesday, July 04, 2012
I thought that this illustration from my picture book, "Come Fish With Me" would be perfect for IF this week! What could be more refreshing than a lazy summer day by the lake?
"Come Fish With Me", 2012 - Copyright L.J. Michaels
Written by Jim Baragar / Illustrated by Lisa J. Michaels
To purchase the PDF version of this book, please visit
Now only $3.99!
Tuesday, April 17, 2012
Agent or Publisher?
If you're somehow involved in the publishing business, and you're not aware of the social media website known as "Linked in", you're missing out on a great thing. Linked in allows you to
and get answers and debates (sometimes heated) almost immediately. Sure there are other sites that are set up the same, but there's something different going on over at Linked in, that keeps pulling me back day after day.
Perhaps it's the open floor, and the fact that anyone can step onto it at any given moment to be heard....I mean really heard! I've seen discussions that went on for days and involved hundreds of people! Many such discussions are jam packed with information, because Linked in has so many participants from every walk of life.
If you are a new author or illustrator, I suggest you consider trying Linked in as a supplemental learning tool. You can ask questions, and know who's giving you the answers! Every participant has a profile, where you can see who they are, what they do, and who's recommended them.
Recently (on Linked-in) I answered the following question:
Here's my answer. When you're new in this business, it's sometimes harder to get an agent than it is to find a publisher on your own. That's because;
A: children's books are generally tough to sell (especially if you've never been published before, and if your book rhymes - the odds are greatly reduced.)
B: You have no proven track record to pitch.
C: Most agents aren't interested in new picture book authors because of inexperience. Most new authors need hand holding, and who has time for that?
D: The return on their investment is too low for the time involved.
E: Why would you agree to rep someone if you knew the odds were strong that the end result would be disappointing? Every new author thinks that they've written "the next BIG thing", it's not fun to watch bubbles burst. AND there's no money to be made by it!...agents are all about the money and who could blame them?
Your best bet is to do exactly what almost every successful author has done since the dawn of publishing....learn the craft, join a crit group, join the SCBWI, do your homework, and develop a thick skin. You'll need it if you hope to weather all the rejections you will face. (I could wallpaper my studio with them.)
Fact: Dr. Suess's "Green Eggs & Ham" was rejected by over 50 publishers before it found a home. That's a lot of editors with egg on their face! Ba-dum-bum!
Seriously, it doesn't matter if your genre is picture books, chapter books, or mid-grades, it's tough to find a publisher. But it's not impossible for everyone!
Make sure that your manuscript is the best that it can possibly be, and polish it until it sparkles so bright that any editor would be a fool to pass it up! Then write a "take-no-prisoners", kick-butt cover letter that shows the editor what a great writer you are before he/she ever looks at your manuscript. Only THEN will you have a chance at beating the odds.
Fact: Seldom does an editor take more than 30 seconds looking at a submission, unless he/she is WOWed by the cover letter!
After you have done that, start researching publishers on line. Follow their submission guidelines to the letter. Look at what they've published in the past...would your book fit in their line-up? Is it the type of book that they publish? If so, send them your stuff!
Keep good records of who you send your manuscripts to, you don't want to accidentally send it to them again later down the road (unless they request it). Also, if you keep info on all the publishers you've researched, it'll save you time when your next manuscript is ready to go.
Don't sit around and wait for responses from publishers...you can be waiting up to 6 months! Get yourself a calendar and mark a day 6 months from the day you send your submission, and then get started on your next manuscript right away. By the time the date arrives, you will have written and submitted many more stories and not waisted one moment in angst over something you can not control!
If you haven't heard from a publisher within 6 months, it's now safe to send them a polite note, asking the status of your manuscript. Some will respond, some wont. If you don't get an answer, assume it's a rejection and send your manuscript elsewhere. It's what they expect you to do, so don't worry about stepping on toes.
I hope that helps! Unfortunately, you have a lot of work ahead of you. Stay strong, keep learning, be humble, and if you really LOVE writing for kids, DON'T GIVE UP!!
ask questions on just about any subject,
Perhaps it's the open floor, and the fact that anyone can step onto it at any given moment to be heard....I mean really heard! I've seen discussions that went on for days and involved hundreds of people! Many such discussions are jam packed with information, because Linked in has so many participants from every walk of life.
If you are a new author or illustrator, I suggest you consider trying Linked in as a supplemental learning tool. You can ask questions, and know who's giving you the answers! Every participant has a profile, where you can see who they are, what they do, and who's recommended them.
Recently (on Linked-in) I answered the following question:
What is the best route for am unknown author -
agent or publisher?
agent or publisher?
Here's my answer. When you're new in this business, it's sometimes harder to get an agent than it is to find a publisher on your own. That's because;
A: children's books are generally tough to sell (especially if you've never been published before, and if your book rhymes - the odds are greatly reduced.)
B: You have no proven track record to pitch.
C: Most agents aren't interested in new picture book authors because of inexperience. Most new authors need hand holding, and who has time for that?
D: The return on their investment is too low for the time involved.
E: Why would you agree to rep someone if you knew the odds were strong that the end result would be disappointing? Every new author thinks that they've written "the next BIG thing", it's not fun to watch bubbles burst. AND there's no money to be made by it!...agents are all about the money and who could blame them?
Your best bet is to do exactly what almost every successful author has done since the dawn of publishing....learn the craft, join a crit group, join the SCBWI, do your homework, and develop a thick skin. You'll need it if you hope to weather all the rejections you will face. (I could wallpaper my studio with them.)
Fact: Dr. Suess's "Green Eggs & Ham" was rejected by over 50 publishers before it found a home. That's a lot of editors with egg on their face! Ba-dum-bum!
Seriously, it doesn't matter if your genre is picture books, chapter books, or mid-grades, it's tough to find a publisher. But it's not impossible for everyone!
Make sure that your manuscript is the best that it can possibly be, and polish it until it sparkles so bright that any editor would be a fool to pass it up! Then write a "take-no-prisoners", kick-butt cover letter that shows the editor what a great writer you are before he/she ever looks at your manuscript. Only THEN will you have a chance at beating the odds.
Fact: Seldom does an editor take more than 30 seconds looking at a submission, unless he/she is WOWed by the cover letter!
After you have done that, start researching publishers on line. Follow their submission guidelines to the letter. Look at what they've published in the past...would your book fit in their line-up? Is it the type of book that they publish? If so, send them your stuff!
Keep good records of who you send your manuscripts to, you don't want to accidentally send it to them again later down the road (unless they request it). Also, if you keep info on all the publishers you've researched, it'll save you time when your next manuscript is ready to go.
Don't sit around and wait for responses from publishers...you can be waiting up to 6 months! Get yourself a calendar and mark a day 6 months from the day you send your submission, and then get started on your next manuscript right away. By the time the date arrives, you will have written and submitted many more stories and not waisted one moment in angst over something you can not control!
If you haven't heard from a publisher within 6 months, it's now safe to send them a polite note, asking the status of your manuscript. Some will respond, some wont. If you don't get an answer, assume it's a rejection and send your manuscript elsewhere. It's what they expect you to do, so don't worry about stepping on toes.
I hope that helps! Unfortunately, you have a lot of work ahead of you. Stay strong, keep learning, be humble, and if you really LOVE writing for kids, DON'T GIVE UP!!
Sunday, January 29, 2012
New Inspiration for the New Year!
Hey! Lookie what I found!!
Click on the image above at it'll take you to the home of the NEW Picture Book Challenge for 2012.
I've joined, and I hope all you picture-bookies out there will too!
Accompanied by over 300 other picture book writers,
I'm determined to make THIS the year of ideas and inspiration.
I hope to see you there!
Tuesday, December 20, 2011
Who say's there's no Santa!!!
I've been so busy this past year that I've neglected my blog, among other things. My head is hanging mighty low. If I were a mutt, I'd be plopped on my twist of a tail, banished to the dog house 'till New Years. Thank goodness I'm human, (faults and all) with so much to be grateful for, especially you - my supportive, patient readers and friends.
While it's true that 2011 had it's highs and lows, I still remain optimistic about the future of the Children's Publishing industry. This has been the year of the "App", a boom for self-publishers everywhere. If you've still got your head in the sand, thinking you can ride it out until the tide turns, you'd better get real. Apps are still on the rise and here to stay! With all the new App building tools flooding cyberspace, illustrators who can create them will soon be a dime a dozen. Although, it's not as easy as they'd like us to believe!
What I've learned so far is, I jumped the gun in thinking it was something I'd be able to pick up quickly. Even with simple App building tools and a bucketload of Photoshop skills, I'm spending a ridiculous amount of time building my first trial run. "Simple" it is NOT! At least not for this old dinosaur. But I know that I must get aboard the train, or be left at the station.
"So," you may ask, "why am I so optimistic
about the future of children's publishing?"
I'll tell you why. With all the changes we experienced in 2011, I think there are big changes yet to come!
*Have you noticed that no one is really squawking about the poor quality of so many self-published apps?? Wait. It's only a matter of time.
Teachers, Mom's, and doting Grandparents will get tired of poorly written stories and mediocre illustrations. . . even if they are just $1.99 a pop! I mean, every kid on the planet has wanted some dangerous or stupid toy at one time or another, but we eventually woke up and refused to buy it, realizing that it was bad for our kids.
So how will we ensure quality in future picture book Applications??
I think that's where traditional publishers can gain
back some of the ground they lost in 2011!
Consumers still remain confident in the quality that recognizable publishers maintain. They know that when they purchase an App from a traditional publishing house, they're going to get material that is well written, visually appealing and usually educational in some way. Now that publishers are waking up and producing Apps of their own, self-publishing will (once again) take a back seat to quality assurance. Professional illustrators who took the time to grow their talent and learn how to illustrate for Apps, will be highly sought after.
And what about printed picture books?
In a world full of keyboards, wide screens, hand-held devices and video games, I choose to believe that printed picture books will blossom like flowers in the sun. With their intoxicating aroma, and delicate pages, they'll become more valuable than ever. Just like Christmas, they'll be something to preserve and treasure. :o)
*Self publishers: Please do not send hate mail! I acknowledge that there are many, many wonderful Apps being produced by self-publishers today. It is unfortunate that their voices are getting buried in a sea of mediocrity! When the marketplace establishes some sort of quality assurance, I'm sure that the cream will rise to the top!
Sunday, August 07, 2011
My Old Friend Technology
So, now that "Alphey Loves Letters" is a reality, I find myself looking to the future at last. I'm happy to say, there are now more options opening up than ever before. What an exciting time for illustrators and authors who aren't afraid to expand their brains in order to keep up with technology!
There are some who would argue with me regarding my tech skills (or lack there of), but I know my limitations.
Yes, I built my own website, while others were paying someone else to build theirs.
So what, I had a blog before many of my colleagues understood what a blog was for.
Okay, I "tweeted" while other's sent me e-mails asking, "What the heck is a Twitter?"
These were not great accomplishments, but I felt they were necessary if I was to keep up with the world at large.
So it's no great surprise that I now find myself, (an aging, not so tech-savvy picture book illustrator) embarking on an exciting journey into the production of loop animated, interactive e-book applications. That's right, you read it correctly. I'm taking the plunge. But this time, it's not just for survival.
I'm sure you've all heard it by now, those doom and gloom predictions about the end of the publishing world.
I'm not so sure I'm buying into all of it. But like it or not, things are changing.
Among the illustrators my age, I'm not seeing a lot of movement out there. It's like everyone is hanging on and holding their breath. It's "business as usual", despite the fact that publishers are over-wrought with enough picture book manuscripts to carry them through for several years to come, mid-grades continue to be on the rise, and small publishing companies are dropping like flies in a smokehouse!
I could wait, like so many others seem to be doing. I could hold out, continuing to submit samples to publishers with the hope that I might get that elusive "traditional" illustration assignment. I could turn to illustrating for low-paying self-publishing authors again, but . . .
There are some who would argue with me regarding my tech skills (or lack there of), but I know my limitations.
Yes, I built my own website, while others were paying someone else to build theirs.
So what, I had a blog before many of my colleagues understood what a blog was for.
Okay, I "tweeted" while other's sent me e-mails asking, "What the heck is a Twitter?"
These were not great accomplishments, but I felt they were necessary if I was to keep up with the world at large.
So it's no great surprise that I now find myself, (an aging, not so tech-savvy picture book illustrator) embarking on an exciting journey into the production of loop animated, interactive e-book applications. That's right, you read it correctly. I'm taking the plunge. But this time, it's not just for survival.
I'm sure you've all heard it by now, those doom and gloom predictions about the end of the publishing world.
I'm not so sure I'm buying into all of it. But like it or not, things are changing.
Among the illustrators my age, I'm not seeing a lot of movement out there. It's like everyone is hanging on and holding their breath. It's "business as usual", despite the fact that publishers are over-wrought with enough picture book manuscripts to carry them through for several years to come, mid-grades continue to be on the rise, and small publishing companies are dropping like flies in a smokehouse!
I could wait, like so many others seem to be doing. I could hold out, continuing to submit samples to publishers with the hope that I might get that elusive "traditional" illustration assignment. I could turn to illustrating for low-paying self-publishing authors again, but . . .
I think the time is right to grab the wave!
Like I said, it's not about survival, it's about getting in as the wave swells, and riding it to the top.
Over the next few months, I'll be throwing caution to the wind, and going where many of my colleagues refuse to go, . . . into the world of Apple i-phone and i-pad applications. I'll do my best to keep you posted, as I create my first picture book application. It promises to be quite a ride, and if I'm lucky - it'll all go well and I'll get more, better-paying work from the skills acquired along the way!
Oh yes, I'll sneak in a few traditional submissions as I go. Old habits and old dreams die hard.
Over the next few months, I'll be throwing caution to the wind, and going where many of my colleagues refuse to go, . . . into the world of Apple i-phone and i-pad applications. I'll do my best to keep you posted, as I create my first picture book application. It promises to be quite a ride, and if I'm lucky - it'll all go well and I'll get more, better-paying work from the skills acquired along the way!
Oh yes, I'll sneak in a few traditional submissions as I go. Old habits and old dreams die hard.
Sunday, July 17, 2011
It's arrived!!!!
My latest book has finally been released! "Alphey Loves Letters" is now available through Castlebridge Books. Here's a sneak -peek. . .
Monday, March 21, 2011
Turning a negative . . .
Seeing myself as a children's book illustrator, I've always found writing to be a real challenge. Who'd ever imagine that someone so long winded would have a problem finding words, right? Well it's true. I struggle with it.
I know what I want to say when I sit down to write. It's usually something I've been mulling over for days, and then about two lines into it, I draw a blank (no pun intended). I shlump back to my sketchbook with my head hung low. I curse my mother for teasing me all my life over my inability to spell, yet making no attempt to correct the situation. It's HER fault that I freeze up before the words can escape the confines of my tortured brain, if only she'd been . . . S--SU--SUPPORTIVE!!!!
The only time this doesn't happen, is when I'm really, I mean really ticked off about something. Thoughts flow down through my fingers and spill over my keyboard so fast that this hunt-and-pecker, spell-check freak turns into something that resembles a real typist!
I have to say, being in great writers groups and blogging has helped. You want to talk about support? My crit group members have more than made up for the mental abuse I received as a child. God bless everyone of them! If I could only remember half the advice that I've dished out while critiquing their manuscripts, I might someday find writing success for myself.
You know the old saying, "Those who can't, teach." I've been at it for so long that I was beginning to think that it's true.
So imagine my surprise when Stephen Mooser's (editor for the SCBWI Bulletin Magazine) e-mail arrived, informing me that my submitted article had been accepted for the March-April edition. Eureka! I could feel the rush. Once more, I'm a published writer! Stick THAT in your ear Mom, I've proven you wrong again!
Now, it's time to dust off those picture book manuscripts and get back to work.
P.S., "Shlump" is not misspelled, I made it up. Get over it. (Lol!)
I know what I want to say when I sit down to write. It's usually something I've been mulling over for days, and then about two lines into it, I draw a blank (no pun intended). I shlump back to my sketchbook with my head hung low. I curse my mother for teasing me all my life over my inability to spell, yet making no attempt to correct the situation. It's HER fault that I freeze up before the words can escape the confines of my tortured brain, if only she'd been . . . S--SU--SUPPORTIVE!!!!
The only time this doesn't happen, is when I'm really, I mean really ticked off about something. Thoughts flow down through my fingers and spill over my keyboard so fast that this hunt-and-pecker, spell-check freak turns into something that resembles a real typist!
I have to say, being in great writers groups and blogging has helped. You want to talk about support? My crit group members have more than made up for the mental abuse I received as a child. God bless everyone of them! If I could only remember half the advice that I've dished out while critiquing their manuscripts, I might someday find writing success for myself.
You know the old saying, "Those who can't, teach." I've been at it for so long that I was beginning to think that it's true.
So imagine my surprise when Stephen Mooser's (editor for the SCBWI Bulletin Magazine) e-mail arrived, informing me that my submitted article had been accepted for the March-April edition. Eureka! I could feel the rush. Once more, I'm a published writer! Stick THAT in your ear Mom, I've proven you wrong again!
Now, it's time to dust off those picture book manuscripts and get back to work.
P.S., "Shlump" is not misspelled, I made it up. Get over it. (Lol!)
Wednesday, March 09, 2011
Win an Illustration from The VSS!
To enter the contest, all you need to do is visit The www.theVSS.org for further instructions. Enter today, we'll be picking a winner soon!
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